{"id":201,"date":"2022-01-04T22:01:26","date_gmt":"2022-01-04T22:01:26","guid":{"rendered":"https:\/\/premiolujosostenible.org\/eng\/?page_id=201"},"modified":"2022-01-04T22:09:17","modified_gmt":"2022-01-04T22:09:17","slug":"2021-2","status":"publish","type":"page","link":"https:\/\/premiolujosostenible.org\/eng\/2021-2\/","title":{"rendered":"2021"},"content":{"rendered":"<div class=\"row\">\n<div class=\"span12\">\n<div class=\"how-we-can-help-wrap\">\n<figure class=\"thumbnail alignnone clearfix\">\n<div class=\"row-fluid\">\n<div class=\"clear\"><\/div>\n<p style=\"margin: 11px\"><span style=\"font-size: 11pt; color:#000000\"><b>METAL CRAFTSMANSHIP<\/b><\/span><\/p>\n<p style=\"margin: 11px\"><span style=\"font-size: 11pt; color:#000000\"><b>Emilio Patarca (Argentina). Collection of tasters for personal use in pandemic\u00b4s time.<\/b><\/span><\/p>\n<p style=\"margin: 11px\"><span style=\"font-size: 11pt; color:#000000\">Patarca&#8217;s interest in metals was born in the workshop of his grandfather, a metal worker. It was in the traditional silversmith&#8217;s shops where he perfected his art. Of that time he remembers: \u00abAs a young boy, they gave me the most delicate tasks because I could see well; that is what I do now with my pupils\u00bb. He founded his own goldsmith school eleven years ago after travelling the world with his knowledge. His work has already become part of the collection of local and international museums.<\/span><\/p>\n<p style=\"margin: 11px\"><span style=\"font-size: 11pt; color:#000000\"><img decoding=\"async\" class=\"alignleft\" src=\"https:\/\/premiolujosostenible.org\/esp\/wp-content\/uploads\/2022\/01\/2021-01.jpg\"><br \/>\n<iframe loading=\"lazy\" class=\"alignright\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/SLIGZI2xupU\" title=\"\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"><\/iframe><\/span><\/p>\n<p style=\"margin: 11px\"><span style=\"font-size: 11pt; color:#000000\">&nbsp;<\/span><\/p>\n<\/div>\n<\/figure>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"row\">\n<div class=\"span12\">\n<div class=\"how-we-can-help-wrap\">\n<figure class=\"thumbnail alignnone clearfix\">\n<div class=\"row-fluid\">\n<div class=\"clear\"><\/div>\n<p style=\"margin: 11px\"><span style=\"font-size: 11pt; color:#000000\"><b>TEXTILE CRAFTS<\/b><\/span><\/p>\n<p style=\"margin: 11px\"><span style=\"font-size: 11pt; color:#000000\"><b>Olga Reiche (Guatemala). Backstrap loom textile.<\/b><\/span><\/p>\n<p style=\"margin: 11px\"><span style=\"font-size: 11pt; color:#000000\">\u00abIn Guatemala there are twenty-two ethnic groups specialising in textiles. I saw how this ancestral knowledge was in danger. There were &#8211; and still are &#8211; no institutions to support the crafts. I have been working with the communities ever since.\u201d At the end of the 1980s, he began to research natural dyes until he specialised and later trained the indigenous groups. \u00abOne of the greatest achievements was accessing international markets.\u201d<\/span><\/p>\n<p style=\"margin: 11px\"><span style=\"font-size: 11pt; color:#000000\"><img decoding=\"async\" class=\"alignleft\" src=\"https:\/\/premiolujosostenible.org\/esp\/wp-content\/uploads\/2022\/01\/2021-02.jpg\"><iframe loading=\"lazy\" class=\"alignright\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/56j-qvpAu9Y\" title=\"\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"><\/iframe><\/span><\/p>\n<p style=\"margin: 11px\"><span style=\"font-size: 11pt; color:#000000\">&nbsp;<\/span><\/p>\n<\/div>\n<\/figure>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"row\">\n<div class=\"span12\">\n<div class=\"how-we-can-help-wrap\">\n<figure class=\"thumbnail alignnone clearfix\">\n<div class=\"row-fluid\">\n<div class=\"clear\"><\/div>\n<p style=\"margin: 11px\"><span style=\"font-size: 11pt; color:#000000\"><b>Porfirio Guti\u00e9rrez (Mexico). Tapete \/ Decorative tapestry.<\/b><\/span><\/p>\n<p style=\"margin: 11px\"><span style=\"font-size: 11pt; color:#000000\">His textiles use the treadle loom technique and are made from natural fibres spun by hand in the community of Teotitl\u00e1n del Valle in Oaxaca (Mexico). \u00abMy father taught me to weave when I was twelve years old. When I noticed that natural dyes were being lost, I began to investigate and experiment with plants as a source of colour and medicine. In my designs I reinterpret traditional graphic elements and incorporate new fibres to achieve a renewed look at Zapotec culture\u00bb.<\/span><\/p>\n<p style=\"margin: 11px\"><span style=\"font-size: 11pt; color:#000000\"><img decoding=\"async\" class=\"alignleft\" src=\"https:\/\/premiolujosostenible.org\/esp\/wp-content\/uploads\/2022\/01\/2021-03.jpg\"><br \/>\n<iframe loading=\"lazy\" class=\"alignright\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/48UfDbvTxuU\" title=\"\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"><\/iframe><\/span><\/p>\n<p style=\"margin: 11px\"><span style=\"font-size: 11pt; color:#000000\">&nbsp;<\/span><\/p>\n<\/div>\n<\/figure>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"row\">\n<div class=\"span12\">\n<div class=\"how-we-can-help-wrap\">\n<figure class=\"thumbnail alignnone clearfix\">\n<div class=\"row-fluid\">\n<div class=\"clear\"><\/div>\n<p style=\"margin: 11px\"><span style=\"font-size: 11pt; color:#000000\"><b>LEATHER CRAFTSMANSHIP<\/b><\/span><\/p>\n<p style=\"margin: 11px\"><span style=\"font-size: 11pt; color:#000000\"><b>Jer\u00f3nimo Coll (Argentina). Honourable Mention. Crowns &#8211; Creole knife verijero.<\/b><\/span><\/p>\n<p style=\"margin: 11px\"><span style=\"font-size: 11pt; color:#000000\">This Tandilense is a second generation of sogueros. \u00abHe prepares the materials &#8211; mainly cow and foal leather \u2013 under the old-fashioned way. The tanning is done mechanically by knife, without chemicals. The weaving technique is very rich and complex. Its design and execution demand perfect mathematics. In this case I adapted a guard belonging to the Condorhuasi culture of the Argentine Northwest region\u00bb.<\/span><\/p>\n<p style=\"margin: 11px\"><span style=\"font-size: 11pt; color:#000000\"><img decoding=\"async\" class=\"alignleft\" src=\"https:\/\/premiolujosostenible.org\/esp\/wp-content\/uploads\/2022\/01\/2021-04.jpg\"><br \/>\n<iframe loading=\"lazy\" class=\"alignright\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/EHHqc4xDkVg\" title=\"\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"><\/iframe><\/span><\/p>\n<p style=\"margin: 11px\"><span style=\"font-size: 11pt; color:#000000\">&nbsp;<\/span><\/p>\n<\/div>\n<\/figure>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"row\">\n<div class=\"span12\">\n<div class=\"how-we-can-help-wrap\">\n<figure class=\"thumbnail alignnone clearfix\">\n<div class=\"row-fluid\">\n<div class=\"clear\"><\/div>\n<p style=\"margin: 11px\"><span style=\"font-size: 11pt; color:#000000\"><b>WOOD CRAFTSMANSHIP<\/b><\/span><\/p>\n<p style=\"margin: 11px\"><span style=\"font-size: 11pt; color:#000000\"><b>Egon Mu\u00f1oz (Chile). Triwe bowl.<\/b><\/span><\/p>\n<p style=\"margin: 11px\"><span style=\"font-size: 11pt; color:#000000\">The raw material for his objects are the remains of trees that fell naturally or were felled during the colonisation of Araucan\u00eda, more than a century ago. \u00abI find the wood in the rivers, lakes and forests of southern Chile. They have acquired unique colours, shapes and textures because the weathering of so many years and the intervention of micro-organisms and insects have left their mark. I try to preserve these characteristics so that the pieces express their history.\u201d He currently teaches classes in Mapuche communities.<\/span><\/p>\n<p style=\"margin: 11px\"><span style=\"font-size: 11pt; color:#000000\"><img decoding=\"async\" class=\"alignleft\" src=\"https:\/\/premiolujosostenible.org\/esp\/wp-content\/uploads\/2022\/01\/2021-05.jpg\"><iframe loading=\"lazy\" class=\"alignright\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/6ZyDHAI8nCM\" title=\"\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"><\/iframe><\/span><\/p>\n<p style=\"margin: 11px\"><span style=\"font-size: 11pt; color:#000000\">&nbsp;<\/span><\/p>\n<\/div>\n<\/figure>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>METAL CRAFTSMANSHIP Emilio Patarca (Argentina). Collection of tasters for personal use in pandemic\u00b4s time. Patarca&#8217;s interest in metals was born in the workshop of his grandfather, a metal worker. It was in the traditional silversmith&#8217;s shops where he perfected his art. Of that time he remembers: \u00abAs a young boy, they gave me the most delicate tasks because I could&nbsp;<a href=\"https:\/\/premiolujosostenible.org\/eng\/2021-2\/\" class=\"read-more\">Seguir leyendo<\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-fullwidth.php","meta":{"footnotes":""},"class_list":["post-201","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/premiolujosostenible.org\/eng\/wp-json\/wp\/v2\/pages\/201","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/premiolujosostenible.org\/eng\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/premiolujosostenible.org\/eng\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/premiolujosostenible.org\/eng\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/premiolujosostenible.org\/eng\/wp-json\/wp\/v2\/comments?post=201"}],"version-history":[{"count":3,"href":"https:\/\/premiolujosostenible.org\/eng\/wp-json\/wp\/v2\/pages\/201\/revisions"}],"predecessor-version":[{"id":206,"href":"https:\/\/premiolujosostenible.org\/eng\/wp-json\/wp\/v2\/pages\/201\/revisions\/206"}],"wp:attachment":[{"href":"https:\/\/premiolujosostenible.org\/eng\/wp-json\/wp\/v2\/media?parent=201"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}